38,000-Year-Old Cave Engraving Of An Auroch Found In Prehistoric Cave In Southwestern France

MessageToEagle.com – A 38,000-year-old engraved, complex image of an aurochs (or extinct wild cow), was found in a cave located Vezere Valley, in southwestern France.

This finding is one of the earliest known graphic imagery discovered in Europe.

The Vézère Valley is famed for its prehistoric cave systems, containing numerous cave paintings and hominid remains. UNESCO collectively designated this valley a World Heritage Site in 1979. (Lascaux is an example among the sites that contain remarkable prehistoric caves.)

 “The discovery sheds new light on regional patterning of art and ornamentation across Europe at a time when the first modern humans to enter Europe dispersed westward and northward across the continent,” said NYU anthropologist Randall White, who led the excavations conducted by an international team of anthropologists.

The slab was found at Abri Blanchard – a site in southwestern France which, along with its sister site Abri Castanet, has previously yielded hundreds of significant finds such as pierced animal teeth, pierced shells, ivory and soapstone beads, engravings, and paintings on limestone slabs.

See also:

35,000-Year-Old Carving Of Bird Found At Cantalouette, France

Brilliant Prehistoric Cave Paintings Of Lascaux – Who Were Their Unknown Creators?

Meet Elusive ‘Higgs Bison’: DNA Reveals 15,000 Year-Old Unknown Species Painted In The Marsoulas Cave

White and his team members began their methodical exploration of remaining deposits at the site in 2011, with the discovery occurring in 2012.

Many Aurignacian wall paintings, engravings and bas-relief sculptures had been recognized and studied before World War I in the Vézère Valley of SW France and Aurignacian art gives new insights into human culture that lived during the Aurignacian period dated from about 43,000 to 33,000 years ago.

“Following their arrival from Africa, groups of modern humans settled into western and Central Europe, showing a broad commonality in graphic expression against which more regionalized characteristics stand out,” he explains.

  “This pattern fits well with social geography models that see art and personal ornamentation as markers of social identity at regional, group, and individual levels.”

More about Vezere Valley, caves and shelters in Southwestern France.

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